But the car that ZZ Top’s Billy Gibbons came in and stared at for an hour and a half is this radical 1941 Ford: chopped seven inches, channeled six inches over the frame, sectioned out of the body another four inches, with a genuine Carson removable top from the 1960s; paint-shot in satin black with flames hand-done in white ice pearl. It was first customized by George Barris, who designed the Batmobile.
Read the rest of the story by Doug Elfman over at the Las Vegas review Journal
Sphere: Related Content Tags: Danny Koker
Look at the photo above very closely. It is NOT real; it is a 1/24 scale diorama constructed by Michael Paul Smith. I am absolutely blown away by the craftsman ship of his work. This is real art and talent.
on Feb 26, 2010 in
Old Cars Weekly
By Brian Earnest
It’s only been a few years since Bill Brunkow died, and Ken Ganz, one of Brunkow’s car buddies and best friends, still thinks about him pretty much every day.
on Feb 26, 2010 in
Sam Barris
Although not as well known as his younger brother, Sam Barris made perhaps an even bigger contribution to the history of custom car building, pioneering the art of the chop top, among other things.
on Feb 26, 2010 in
Old Cars Weekly
By Brian Earnest
There are plenty of folks around who really dig their old cars. And there are more than a few who are just head-over-heels, crazy nuts about a particular four-wheeled friend.
Steve Plunkett speaks at the grand open of his 1930’s Cadillac Auto Salon to kick off the 2009 Fleetwood Country Cruize In weekend
on Feb 26, 2010 in
Old Cars Weekly
Rena Valentine knows that it might sound a little strange to serious car guys, but her first priority when it came to shopping for a Triumph sports car was color.
on Feb 26, 2010 in
Barris Kustom
It’s “Jaws” on wheels! A satanic car terrorizes a small Southwest town in this awesome 1977 vehicular horror film, “The Car”. Stars James Brolin and R.G. Armstrong.
Can’t Escape The Batmobile No Matter How I Try
Not entirely unrecognizable from her full-tilt glam studio days, Yvonne wore green makeup and a long, black fright wig with a silver streak as the wife of Frankenstein’s monster-esque Herman Munster